Rolls Royce Customer Drive Day

I was recently asked to shoot an article for the Rolls Royce customer magazine covering an exclusive customer drive day in the Yarra Valley. As well as the fleet of vehicles (worth more than a small nation) for the customers to test drive around the yarra valley, there were  jewellery and timepieces on offer to for the guests to enjoy during the day, all set against the spectacular backdrop of a fine lunch at TarraWarra Estate Winery and Art Gallery.

I do love the way that photography is a passport that opens doors to worlds, lives and lifestyles that I can immerse myself for a brief moment. Whether the affluent and privileged world of this shoot or the interesting people I meet I editorial shoots, I do love how varied my job is.

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Shooting in Shanghai

I travel often for my clients and sometimes it involves overseas shoots. One of the main things for a photographer to consider and plan for is how to get their equipment through the airports and customs.

Preparing for my recent shoot in Shanghai, as well as the job preparation, my head was full with managing the care of my wife (who was in hospital with a back injury), 3 children under 5, and a full schedule of shoots.

I am used to doing all my own arrangements for travel and this is one occasion where it would have been wise to use a travel consultant early on in my preparations. There are some aspects about shooting in China that I hadn’t considered, which led to a very busy last few days getting everything finalized.

The easiest way to travel internationally with expensive camera gear is with a CARNET, a system where equipment is registered and signed in and out of the country. (The countries don’t want people  bringing in gear  and selling it withiout the applicable taxes), but unfortunately not all countries honour the system, and China is one of them. I was distracted in researching what was involved to take camera gear in and out of the country I neglected to pay attention to the Visa requirements.

In the 2 weeks before leaving, I had four visits to the Chinese consulate, trying to finalize the Business Visa I was applying for. Unfortunately, I learnt too late that the process is complicated and preferably started 2 months before the trip. Even my Chinese contacts didn’t understand the form I had to complete;

Chinese Business Visa Form

Basically, what I found out afterwards is, my client needs to approach the local foreign affairs department who need to make a case for this foreigner to come and do this job.

I ended up running out of time with cross-timezone negotiations, and frustrating consulate visits and ended up with the dilema of having this great job, but no Visa and the very real possibility of not being able to get into the country. I looked after the client by finding a suitable backup photographer, and luckily had the great help of expat Australian Photographer  Rodney Evans who is now based in Shanghai and runs a hire studio business.

Rodney suggested that getting a Visa in Hong Kong would be possible so then I took a big punt, I changed my schedule to have a 10 hour stopover in Hong Kong and hoped for the best. What a stress!!!! When I checked in my luggage in Melbourne, the staff there told me they could only book me in as far as Hong Kong (not Shanghai)  and had never herd of a visa being granted at Hong Kong. More Stress!!!

I arrived with all paperwork in order and had a long anxious wait in one of the airport lounges(I couldn’t bear to leave airport) waiting for news on my application. Thankfully, the risk paid off and I was let into the country, but some valuable lessons were learnt like how thinking “I know how to do this” can have me miss critical elements to having the job being successful.

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Precious memories of Louis – An ACOCP Session

I am very lucky to work in an industry that provides such an exciting and rewarding career, I also think that in being in this industry, it is important to contribute to the wider community in some way. One way I contribute is by donating my skills to an association called the ACOCP (Australian Community of Child Photographers).

The Australian Community of Child Photographers is a volunteer organisation of photographers from all over Australia who have come together to form an organisation dedicated to giving the gift of photographic memories to families that have experienced stillbirths, premature and ill infants and children in the Neonatal Intensive Care Units of their local hospitals, as well as children with serious and terminal illnesses. The ACOCP is dedicated to providing this gift to families in a caring, compassionate and heartfelt manner.

A recent shoot I did was very especially touching.

Louis had struggled to live each day of his short life and his mother Aminah, made it her mission to make their time together as precious and comfortable as possible. Louis had just had his birthday, Christmas and saw in the New Year…….. then stopped his fight for life.

———————-

His mother wrote this about his condition;

Louis had a very rare neuromuscular condition called Myotubular Myopathy X-linked.  The X-linked variant of this condition (also known under the umbrella Centronuclear Myopathies) is carried by mothers and affects only boys. It affects an estimated 1/50,000 live male births worldwide.  The great majority still die within the first two years of life however there are now some exceptions, particularly in America where they take a very aggressive approach to invasive ventilation from birth, via tracheostomy and permanent artificial ventilation.

The condition manifests as a defect in the muscle structure causing profound hypotonia (low muscle tone) and weakness throughout the body with the respiratory and swallowing muscles most severely effected. Most boys are born without respiratory effort and have to be resuscitated and ventilated at birth. A few boys like Louis learn to breathe on their own while many have to be ventilated for life.

Most succumb to respiratory complication from the condition as did my Louis and also previously his older brother Marlon who died in 2005. However Marlon died without ever getting a diagnosis, hence the recurrence without my awareness that I am a carrier in my pregnancy with Louis.

———————-

I met Louis and his mum Aminah at Very Special Kids in Malvern. Louis had passed away the day before and their caseworker by chance  had attended an ACOCP presentation I did at the Royal Childen’s Hospital recently, and told them about the service of the ACOCP asking them if they wanted a photographer to capture their last hours together.

Here are some of the photos.

Louis and Aminah

Louis and Aminah


The services of the ACOCP are free for families and funded by the photographers.

For enquiries about our services, membership and donations, please visit our website www.acocp.org.au

Grateful thanks to Aminah for her generosity in sharing these most private of moments.

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ACMP Photographer Diaries Series now on Vimeo

As mentioned previously, the Australian Commercial and Media Photographers (ACMP) home to the country’s best professional photographers, has a project with the support of PICA to produce mini documentaries featuring some of the country’s leading photographers. The project is called the ACMP Photographer Diaries. We already have a channel on YouTube, we have just set up a channel at Vimeo for series. While Vimeo doesn’t have the reach of YouTube, the quality if far superior, but don’t take my word for it, have a look for your self. Click here for the Vimeo channel.

ACMP Photographer Diaries Channel on Vimeo

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Equipment Overload

I was lucky enough recently to do a shoot in Shanghai at the Peninsula Hotel that was part of a global campaign for NEC. There are different elements I speak about in separate posts, but firstly I was not sure what I would be faced with when I was shooting there and I wanted to take minimal gear into the country. I was working around a video crew with a very fluid and intense schedule, often having only  a few minutes to get my shot. I had hired the equipment (listed below) which filled the huge walk in closet/dressing room/makeup room in my suite, and for all the shots, I ended up using mostly my own speedlights. Fast and simple. But like the boy scouts say……be prepared!

——– What I hired ——–
Verso A2 Kit inc power dock,
Pulso-G, P-70
Pulso G inc P-70 reflector
1Mobil Kit inc 1 mobil lite, spare battery
Adapter ring for mobilite
4 x Master stands 004 or similar
2 x C-stands inc grip arm
softbox 80×140
Softbox 30×110
Grid set for P-70
Blacks 3×3m
Clips, misc grip, sandbags
Manfrotto 058B
——– What I ended up using was ——–
3 x SB900s (mine)
1 x Interfit Softbox (mine)
Manfrotto 058B (hired)
3 x Master stands 004 (hired)
Here are some of the shots

Housekeeping lit with SB900 in softbox and 2 SB900s lighting the background

NEC phone lit by SB900 in Softbox and SB900 in background

Bellboy lit by SB900 in Softbox and 2xSB900s in background

Hero shot, testimonial portrait of Peninsula Hotels IT Manager, with space for ad copy and design

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Unbelievable Courage

Dr Rob Carson and Nicholas Rossi

For the Christmas edition of the Australian Women’s Weekly I was asked to shoot a special man for a feature series called the Gift of Life. I love these types of jobs.

Here is the article by Sue Corrigan;

Courage saves a child – Dr Rob Carson and Nicholas Rossi

If it weren’t for the ingenuity, courage and skill of Victorian GP Dr Rob Carson, Michael and Karen Rossi would be facing a bleak Christmas this year.

In May, their  then 12 year old son, Nicholas, fell of his bicycle while riding around the back streets of Maryborough, 170km north-west of Melbourne, hitting his head on the pavement.

“Nick said he felt fine,” his mother Karen, a nurse, recounts. “But I noticed a nasty-looking lump on his head and bruising so we took him to the local hospital, where Dr Carson was on duty.”

Kept in hospital for observation, Nicholas began to drift in and out of consciousness and suffer spasms. Dr Carson realsied this meant there was internal bleeding in his skull and unless the pressure that was beginning to build was releived quickly, he would die.

Dr Carson knew his only option was to drill a hole through Nicholas’ skull to release the trapped blood. As a GP, he had never before performed such a potentially dangerous procedure. Nor was the country hospital equipped with a speacialised neurological drill.

In a spilt second, Dr Carson ran to a storeroom, grabbed a household drill and rang Melbourne neurosurgeon Dr David Wallace for urgent advice.

“Dr Wallace couldn’t believe Rob had  the courage to drill into someone’s head with a household drill”, Nick’s father, Michael, says “He had to drill in precisely the right spot, for precisely the right distance. It was an act of extraordinary courage, under immense pressure.”

Talked through the procedure by Dr Wallace, Dr Carson drilled until the blood clot dislodged, the inserted a draining tube. Nicholas was then airifted to Melbourne’s Royal Children’s Hospital where he made a full recovery.

Dr Carson insists it was a team effort and that he did only what any doctor faced with similar emergency would do. Yet, the Rossi’s believe the quietly spoken doctor saved their son’s life.

“We hope our story may give other families the same gift, by underlining how important it is for bike riders to always wear a helmet,” Michael says. “Perhaps it might, one day, help save someone else’s life too.”

Equipment used Nikon D3x, 24-70 zoom, 3 x SB900 and 2 x SB800 speedlights, Honl light modifiers

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Group Shot of 77 people with Speedlights

I was shooting a conference in Adelaide and the client wanted a group shot of all the delegates. The original plan was to do the shot outside at a nearby park, but time was running short so the request was made to setup a shot as close as possible to the conference room, in 15minutes. The stairs in the foyer was the only practical location and the main problem was that it was so dark. I found a vantage point on  the next level up and set up the speedlights along the balcony to flood the space with a light from the left.

The 5 Speedlights used for the main illumination

The 5 Speedlights used for the main illumination

Speedlights aimed around the group

Speedlights aimed around the group

The Final Group Shot

The Final Group Shot

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Fascinating People

One of my favourite aspects of being a Photographer is how on an assignment I can visit a subject for a few hours where they often completely open up and leave with a deep insight into who they are and what they do.  Recently, I shot a very interesting person for the Australian Womens Weekly. Her name is Leonie Sheedy and she is one of the founders of CLAN, a support and lobby group for survivors of Australian orphanages. We found a location near where she lived in Geelong at one of the many  old orphanages across the country of which many are derelict buildings. In an eerie coincidence a young boy and girl came to play in the front yard of the building as we were completing the shoot. They were almost like the ghosts of the children who used to live here. Shot on my D3x, 14-24 Zoom, SB900s and David Honl light modifiers.

Leonie Sheedy, Advocate for Survivors of Australian Orphanages

Leonie Sheedy, Advocate for Survivors of Australian Orphanages

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With photography gear, sometimes I suffer from price fatigue where it can just seems normal to spend hundreds of dollars for that little bit of plastic/metal. I did a shoot recently where the weather forecast was for constant rain and I needed protection for my speedlights. I have many accessories for the speedlights, mostly form David Honl, but I really wish he would develop a waterproofing system as good as the product I ended up using……Sandwich bags from Glad.

My Highly Technical Moisture Protection System from Glad Bags

My Highly Technical Moisture Protection System from Glad Bags

Rain, Mud and Trucks

Rain, Mud and Trucks

Final Shot

Final Shot

Other Final Shot

Other Final Shot

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Sneak Peak of the Series “ACMP Photographer Diaries”

I have been interviewing ACMP photographers across the country for a video series that will be available through the acmp’s new website and youtube. The intention of the series is to remind people that even though camera technology is making capturing quality images easier, that doesn’t make up for the world of talent and experience that comes with commissioning a professional photographer. Here is Michael Amendolia’s video, we plan to have 6 up for the upcoming website launch and add them monthly.

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